iPigeon.institute Blogger page (backup)

Welcome to the iPigeon.institute online slight exhibition and annotations for the Sticker Time sticker collection. The Sticker Time art miniatures are an ongoing and updating collection of images, illustrations, photographs, and digital renders of (mostly) pigeon (or “bird,” in general,) images, as well as images that have, or have become, contextually, seasonally, or otherwise, relevant , in terms of content, research, and development. Sticker Time comes out of best practices in branding. My experience, in working with the circular form, comes mainly from an exercise I went through (which I can’t find, online, at the moment) which was hosted by Google, similar to this article ; the essential concept being that some essential message of the brand could be delivered through symbolic, illustrative / graphic, or alphanumeric form. Here, with Sticker Time, the same theme as a branding logo is employed, yet the form of Sticker Time takes a more lax and lighthearted approach, given that the

Following up on my first article for the Logic Pro for iPad Users group, on Facebook, here, in this article, I’ll detail some notions I’ve come across, through years of maintaining interest in topics ranging from the obvious - music creation and audio recording, for example, to more recent developments and prospects for the future of our digital and mobile lives - topics such as IoT and edge technology, in incorporating musical creativity in new and largely unexplored reaches in to people’s lives. In doing so, we’ll examine some of the existing hardware devices and software platforms that exist, currently in the summer of 2023, and I’ll offer my best estimations, or experiences, in working with, or, for studying, these extended-use case scenarios, which offer the creative minds of music-making, on Logic Pro, exciting and stimulating new horizons to explore, all within hands’ reach, on our iPadOS devices. First of all, I’m composing this article, as Apple’s annual WWDC (Worldwide Develo

 For people who see me around town, being that it’s the civic center metropolitan district, I’d suppose that I’m a sore sight, on various counts, for some people. On one hand, for example, I feel like I’m fairly pro-sociable, and that I’m good for “friend status,” and, although it plays out, in truth, in some sort of informal and disjunct fashion, I feel like, even though I’m present, in a cognizant sense - meaning, I could reliably answer questions accurately, in nearly all situations (which, I’d say, is one of the hallmarks of my reputation, nowadays, amongst people who know me), I have some chronic pain and inflammation issues that never seem to go away, being that I’m legitimately fully homeless, and, since town is fairly upscale, in many of the small locales which characterize the areas I frequent - this is Los Angeles, on one hand, and we’d been brought up, in this generation, to have fancy ideals and aspirations to live up to.  Nowadays, I wonder how the rest of America views th

Discovering that Logic Pro for iPadOS (was|is) [ going to be ] available was big news, amongst a generation of music enthusiasts and audio professionals.  Conceivably, for those amongst this demographic, work had become stale, given that our musical imaginations had disappointed us, for the sake of the number of physical steps that digital music creation would require of us, during the creative process, itself. Thinking back, and comparatively, perhaps some of the cutting-edge and elite music producers and studios had, for a long time, now, employed touchscreen formats, which allowed for similar types of control over the workflow and user interface formats, along with software and hardware plugins, instruments, and effects, perhaps - all suited to accommodate music creation and capture, and, also, unique, to some degree, perhaps.   For me, I happen to recall that I intently set aside the creation of music tracks and songs, at some point, back when I was trying to juggle so many acts,